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Everything We Know About “SYTYCD” Season 16

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It's almost time: Season 16 of "So You Think You Can Dance" premieres this Monday, June 3! Need help getting through the last few days (or hours, really, EEE) before Nigel's first "Cue music"? Take a look at our roundup of all the info that's trickled out so far about the new season.


The Competitors Include Some Familiar Faces


We spotted a few dancers we know in the season's preview videos, including Dance Spirit Cover Model Search winner Sydney Burtis, James "Animated J" Jimenez (who does that truly insane split in the vid above), "Dance Moms" alum Gino Cosculluela, and ballroom siblings Stephanie and Ezra Sosa. It sounds like Vlad Kvartin, who's performed with the "Dancing with the Stars" troupe, also auditioned—which means it's shaping up to be a super-strong ballroom season.

There Are Two Brand-New Judges


Vanessa Hudgens and tWitch aren't returning to the "jidges" table this season (*tear*). In their places—at least for the audition and Academy rounds—will be legendary choreographer Laurieann Gibson and "SYTYCD" and "America's Best Dance Crew" alum Dominic "D-Trix" Sandoval.

We Might Already Know Who the All Stars Are


There's no official word yet on the identities of this season's All Stars. But at a recent promotional event, 10 our favorites—five men and five women, hmmm!—performed a fabulous rendition of Mark Kanemura's "Call Me Mother" routine. Could this be the Season 16 All Star crew?

The Live Shows Will Feature a Top 10—Not a Top 20


Yup, this was confirmed by Nigel himself: Last season's big plot twist—that 10, rather than 20, dancers would make it to the live shows—is just a fact this season.

The Show's Got a New "Look"


Not exactly sure what that means yet, but we are VERY into the 360-degree camerawork we've seen in the preview clips.



CAT DEELEY IS BACK


Thank the dance (and fashion) gods!


Laurieann Gibson and D-Trix Spill the Tea About Being the Newest “SYTYCD” Judges

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It's almost time for another round of "So You Think You Can Dance," the show that has inspired, moved, and motivated us for 15 (!) seasons. And we're especially excited for Season 16, because two of our favorite artists are joining the judging panel: Dominic "D-Trix" Sandoval and Laurieann Gibson.

D-Trix has had a fantastic career in the industry since making it to the top 8 on "SYTYCD" Season 3; Gibson is best known for working with huge stars like Lady Gaga, Nicki Minaj, Britney Spears and Katy Perry. (The two of them will sit alongside longtime judges Nigel Lythgoe and Mary Murphy.)

We caught up with D-Trix and Gibson before the Season 16 premiere to talk all things "SYTYCD."


How does it feel to be on the panel?

D-Trix: Being on the other side of the competition is a lot easier physically! I'm reliving a lot of the moments that the dancers are going through. It's been really exciting to be able to give a voice to the dancers' perspective. If I were competing again, I'd want to hear tips from someone who's been through it.

Gibson: It's been a dream come true to be able to inspire the next generation of dancers!

What impact do you think the show has had on the dance community over its 16 seasons?

Gibson: When I was a young dancer, we could only dream of an opportunity like this, which gives you access to the professional dance world and lets America see your ability very early in your career. If I'd had that opportunity when I was coming up, I'd probably be dancing on the moon by now!

D-Trix: That's what is amazing about the show. "SYTYCD" rooted my entire career.

Being a judge on "SYTYCD" is a big responsibility. Why did you want to take it on?

Gibson: To educate and inspire. I was a dancer and I am still a dancer. As a choreographer and creative director, I understand the pressure that these kids are under. I speak the language of choreography. It seemed like a great time for my passion to find a new home.

What's most challenging about being a judge?

D-Trix: It hurts to send someone home. I've cried on multiple occasions just during auditions. It's so sad to let someone go, because this is their whole life in one solo.

Gibson: Yes, the hardest part is seeing the kids go. But there can only be one winner!

What are you looking for from the contestants this season?

D-Trix: I think it's about finding the perfect balance of technique and emotion—you can give yourself to the world while maintaining that amazing technical ability. I also tell the dancers all the time that I want them to turn off their minds. People who think too much tend to go home early, because they're thinking about what the show and the judges want from them, instead of what they want to do. Looking at social network platforms and reading comments is so unnecessary. If you're able to turn off your brain and just enjoy yourself, you're probably going to have a better outcome at the end of the day. The show is going to be challenging, but try to find the beauty in the challenges.

How 10 Dancers Bring King Kong to Life on Broadway

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One of the biggest attractions on Broadway right now is also literally the biggest attraction on Broadway right now. He's 20 feet tall, weighs a solid ton, and is operated by 13 performers and 16 microprocessors. His name is Kong—or Kiko, as his team has dubbed him (don't dare call him a puppet)—and he's the roaring, bounding, Empire State Building–scaling star of King Kong. Before his team of creature designers pick up their Special Tony Award on Sunday June 9, read on to find out exactly how Kiko roars to jaw-dropping life on the Great White Way eight times a week.


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A lot of dance goes into bringing Kong to life each night at the Broadway Theatre, from the intricate choreography behind Kiko's every naturalistic movement to the gifted group of dancers, known as the King's Company, that makes those movements possible. We talked to associate choreographer Ellenore Scott and King's Company member Lauren Yalango-Grant about why dance is such an essential part of King Kong's story.

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Kong's massive body consists of a steel skeleton, molded-fiberglass shells, and inflatable bags and tubes. Operating his various parts and elaborate rigging requires a combination of dancing, gymnastics, and circus magic.

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"Every member of the King's Company needs to be acutely perceptive," Scott says. "It takes at least four people just to create a single arm movement: You have one dancer on the paw, but it can't move alone, without the shoulder and the elbow. The whole group of dancers is basically breathing as one."

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Though King's Company artists are in plain view onstage, their goal is to animate Kong in a way that makes the audience forget they're there. "We're both seen and unseen," Yalango-Grant says. "We're always trying to be as ninja-like as possible. And our bodies mimic Kong's—we're in a sort of primal stance at all times, with our focus on whatever Kong is looking at."

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Yalango-Grant, who operates Kong's right elbow, right foot, and much of his rigging, danced with Pilobolus for eight years before making her Broadway debut in King Kong. (Her husband Christopher Grant, another Pilobolus alum, is a swing for the King's Company.) "My Pilobolus skills definitely translate, because Pilobolus is very much a group effort—there are no diva or solo moments—and that's the way it is working with Kong, too," Yalango-Grant says. "None of us are meant to shine individually. We shine as a group, behind this amazing creature."

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At several points in the show, Yalango-Grant sits atop Kong's huge shoulders. "When I'm on his back, I feel like Daenerys Targaryen riding my dragon!" she says. "You can't help but be fully present in a moment like that."

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During an earlier run of the show in Australia, the artists operating Kong were all men, mostly because of the intensely physical nature of the choreography. Yalango-Grant is one of two female members of the King's Company on Broadway. She did a vigorous course of upper-body strengthening before the show opened "to make sure I could hold my own," she says, laughing. "I was living in the gym for weeks prior to opening night."

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Thanks to the work of the King's Company dancers, Kong reads not as an animatronic approximation of an ape, but as a living, breathing being. "From the beginning, he's never been a puppet. He's always been an actor in the show," Scott says. "These dancers are superheroes and rock stars, because they make the audience feel this deep connection to a 2,000-pound gorilla."


A version of this story appeared in the May/June 2019 issue of Dance Spirit with the title "The King of Broadway."

This Short Film Will Transport You into a Parisian Midnight

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Hey, want to take a quick trip to Paris for the weekend? No, we're serious. There's this brief but beautiful ballet flick called Until Midnight, it stars Brittany Cavaco (a freelance ballerina currently guesting with English National Ballet) and former Paris Opéra Ballet principal Sébastien Thill, and it's everything your lackluster weekend needs.


And the story behind the short film's creation is almost as cool as the ethereal dancing on spookily gorgeous Parisian streets that you'll be seeing in a moment. According to Cavaco, all of the dancing was improv. "At every location we went to, Sébastien and I took a few moments to come up with a loose outline of steps so that we both could be in unison," she says. "It was important to make sure that the steps would flow and move with the storyline and look technical on camera. It wasn't hard to feel inspired surrounded by Paris's history, art, culture, and immaculate architecture."

The team decided to shoot the footage last October, during Cavaco's weeklong layoff after ENB's fall season. And now for some real talk from Cavaco: "The only downside was that it was quite cold! Shooting this film in such iconic places around Paris was absolutely surreal. Dancing in the Louvre at night actually took my breath away. Since it was so late at night, there were no other people there, and it felt as if the entire historical palace was my stage to dance. As magical as it was, dancing outdoors was actually quite a challenge. Trying to do chaînés on cobblestone and piqué turns on wood and uneven concrete made for a lot of tripping—and a good amount of funny outtakes."

But it wasn't all goofy missteps, either. The clip follows a long-retired dancer as she reunites with her lost love for one fleeting supernatural moment, and Cavaco says the poignant depiction of loss has resonated with more than a few fans: "I have gotten so many messages, emails and comments from both dancers and non-dancers on how this film moved and inspired them," she says. "Some people shared that they recently lost a loved one and this film gave them hope. Others expressed how they once were dancers and they related so strongly to that desire Louise has to relish the moments where she could dance once again. It just makes me so happy to know that this film and our dancing has impacted people, to me that is what dance and expression is all about."

Want more of this belle époque ballet amazingness? We've got some good news for you: "I'm really excited to head back to Paris this summer to make the prequel to this film," Cavaco reveals. "I don't want to give too much away but it will explore Louise and Jean Pierre's love and life as young dancers in Paris." CAN'T. WAIT.


Gianna Newborg Is Your May Cover Model Search Editors' Choice Winner

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Congratulations to the May Cover Model Search Editors' Choice video winner, Gianna Newborg! Catch her solo below, and enter the Cover Model Search here.


The Absolute Best of Todrick Hall's #NHHHChallenge

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The music video for Todrick Hall's newest track, "Nails, Hair, Hips, Heels"—which [death-]dropped just in time for Pride Month—is the textbook definition of fierce. Todrick and his squad of 50+ dancers are an army of attitude, hitting gorgeous lines and strutting in sync (while wearing heels, no less). And after showing his followers how it's done, Todrick challenged them to learn the choreography themselves, using the hashtag #NHHHChallenge.

Friends, those followers DELIVERED. Check out this roundup of our favorite #NHHHChallenge posts. They don't play, they slay…


Harper Watters


Clap it out for clean lines and precision! We wouldn't expect anything less from this Queen Bee of ballet.

Jared Mifsud


Props for flawlessly replicating the original "NHHH" set AND serving up looks.

Matthew Pilalis


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🏳️‍🌈NAILS💅🏼HAIR💇🏽‍♂️HIPS🧘🏽‍♂️HEELS👠🏳️‍🌈 • • Kicking off 🏳️‍🌈Pride Month🏳️‍🌈 STRONG 💪🏼with a good heels class to @todrick #nhhhchallenge !!! Thanks to everyone that came out to my first heels class ever!!! I had a blast 💥💥 Sorry for the explicit lyrics 😬😬💁🏽‍♂️😘 • • Please help me tag @todrick and use the hashtag #nhhh & #nhhhchallenge in the comments for a repost!! • • Song: “Nails, Hair, Hips, Heels” Artist: @todrick Choreo: @matthewpilalis 🙋🏽‍♂️🙋🏽‍♂️ Studio: @thedynastydance 🎥: @ellaaa_gonzales #mattpilalischoreography #dynasty #thedynasty #thedynastydance #nailshairhipsheels #nhhh #nhhhchallenge #todrickhall #todrick #gay #pride #pridemonth #gaydancer #dance #heels #4inchheels #dancecompany #dancestudio #chicago

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That feeling when you hit every accent in the music perfectly...

Joelle D'Fontaine


We love not only the hard-hitting choreo, but also the killer hype squad cheering these dancers on from the sidelines.

Scott Blanco


This rendition proves it's alllll about working those camera angles.

Marisha Wallace


What does this fabulous unicorn do when she's not waiting tables in London's West End? Pose, twirl, and snap for her life, of course.

Chris Gayle


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TAG @TODRICK 🆘🆘🤯🤯🤯☄️☄️🔥🔥 👇🏾👇🏾👇🏾 I GAVE THEM JAZZ FUNK HONEEEEY 🍯 heavily inspired by my baby @iamciscovilla - still inspiring me even on whole different coasts. Welcome to my jazz side my lovely followers 👀 hire me for your studio competition pieces 😭😂 ALL THESE LADIES DANCING WITH ME ARE APART OF MY MENTORSHIP I SERIOUSLY COULD NOT BE MORE PROUD 😭😍• • • • • Song : “Nails, Hair, Hips, Heels” #nhhh #nhhhchallenge #todrick #todrickhall #drag #femme #rupaulsdragrace // Choreographer: ME 🤘🏽@thechrisgayle #chrisgqchoreography #jazzfunk // Dancers LtoR : @jocelynlburns @speciialkayy @thechrisgayle @miaraebinggeli @_nicolepetersen_ // Filmed by : @twincitytv // Fit : @fashionnova #fashionnova // thank you to my lovely fam at @peridancecapeziocenter for giving me these slots to do anything I want 💛 🏳️‍🌈🏳️‍🌈🏳️‍🌈🏳️‍🌈 #pride #pride2019

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Two words: Jazz. Funk. We needed this one.

Isa Sophia


I think we may have a winner.

So who's next to join in on the challenge? We nominate heels icon Yanis Marshall and Todrick's very own bestie, Taylor Swift!

Want to see how Todrick and assistant choreographer Theresa Stone brought his vision to life? Check out this behind the scenes video.


Alvin Ailey Is Getting the Full Hollywood Treatment

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Here's some Monday news to rock your soul: An upcoming Fox Searchlight film about the life of Alvin Ailey just got even more enticing—Barry Jenkins, the filmmaker who won an Oscar for Moonlight, has signed on as director.


It feels like quite a fitting hire. Back in 2017, Alvin Ailey American Dance Theater artistic director Robert Battle choreographed an homage to Moonlight, starring Ailey standout Jamar Roberts.


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In addition to big Hollywood names, the movie will have serious dance cred.

Not only is it is being made in full cooperation with the Ailey company, producers are working closely with both Battle and artistic director emerita Judith Jamison to tell Ailey's story—and bring his choreography to life. Which hopefully means we'll get to see some gorgeous Ailey dancers doing their thing onscreen.

The script, being written by Julian Breece, will be based on dance writer Jennifer Dunning's book Alvin Ailey: A Life in Dance. And, just to throw in a dash of celebrity, Alicia Keys is on board as one of the producers.

This seems to be prime time for major dance biopics. On top of recent releases about the lives of Rudolf Nureyev and Carlos Acosta, plans are also in the works for films about Michaela DePrince (directed by none other than Madonna) and, of course, Misty Copeland.

We're already getting our popcorn ready.

"SYTYCD" Season 16 Recap: The Auditions Begin

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A slow-motion, battement-filled opening montage set to music from The Greatest Showman can only mean one thing: To quote the hostess with the mostest, the ever-fabulous Cat Deeley, "Welcome! to So You Think You Can Dance!"

The OG dance competition show is back and, as always, promising to be better than ever. For the show's sweet 16, executive producer Nigel Lythgoe and longtime judge Mary Murphy have some new company at the judges' table: tough-as-nails choreographer-to-the-pop-stars Laurieann Gibson and former "SYT" contestant and "America's Best Dance Crew" winner and judge Dominic "D-Trix" Sandoval. We've also got a new set, 120 cameras capturing the action on the stage, and a live audience in L.A. from day one.

Here are the hopefuls who wowed us during the first episode.


Dezi Saenz, 18, Long Beach, CA, Hip Hop


The self-described "bubbly" girl is actually, once she hits the stage, a total beast. Kicking off the season with Dezi's audition was a brilliant move (well done, Jeff Thacker!), because her freestyle performance—complete with every form of popping, locking and gliding you can imagine—earned a well-deserved standing ovation from the entire theater. Nigel called it "tremendous," Laurieann said it was "the definition of the natural-born gift," and Mary said Dezi "took it to a whole other level." Meanwhile, resident hip-hopper Dominic was brought to actual tears by the performance. In order to advance to The Academy, dancers need to hear "yes" at least three times from the judges—and Dezi heard it four times.

Ezra, 18, and Stephanie Sosa, 19,  Provo, UT, Ballroom


There's something about ballroom dancers from Utah—and Dance Spirit cover stars Ezra and Stephanie are no exception. Stephanie's no stranger to the "SYT" stage. She was cut from the Top 20 last season, and after she returned home, her mom had a stroke. What she thought would be her final words to her children: "Keep on dancing." (YES I'M CRYING.) Mom survived, though, and was in the audience for their audition. Not only did both Sosas keep dancing, they brought the house (and fancy new stage) down. With Tina Turner's "Rollin' on the River" blasting, Stephanie's red fringe practically leapt into action, while Ezra literally leapt—over Stephanie's head. Their jiving footwork was fast and fancy, on point and technical, and just super fun. The standing ovation was inevitable. Mary thought it was fabulous, Nigel liked the way Ezra's legs "flicked out," Laurieann dubbed it "spectacular," and Dominic is so glad Stephanie came back for a redemption audition. The brother and sister duo made it on board the Hot Tamale Train—next stop, The Academy.

Matthew Deloch, 20, Gonzales, LA, Contemporary


Another returning auditioner! Matthew made a go at Season 14, and had to skip out on Season 15 auditions on account of a torn meniscus. So how'd he heal? Um, pretty spectacularly. Those lines! Those legs! Those leaps! The routine was heavy on the trickery, but let's be honest: A little memorable flash goes a long way at "SYTYCD" auditions. Even so, it was the slow, still moments at the end of Matthew's performance that earned him a standing O and a few tears—not to mention a "What meniscus, baby?!" from Dominic. Nigel praised Matthew's "unimaginable control" and "superb technique," and Mary said he "set the stage on fire." Laurieann, who trained at the Alvin Ailey school in NYC, said Mr. Ailey himself would have dreamed to have seen Matthew dance. So, just some casual praise right there. Matthew, unanimously, is on to Academyland.

Sarah "Smac" McCreanor, 26, Brisbane, Australia, Jazz


New nickname for Smac: Fun from Down Under! (It's catchy, right?) Smac does improv and sketch comedy, so it's no wonder her "Boogie Wonderland" performance was silly, cheeky, and a bit reminiscent of that epic dance scene in Napoleon Dynamite. But it wasn't just silly and cheeky: It was also really good. The comedic elements earned plenty of LOLs from the audience and the judges, and Smac's unstoppable energy and super-sharp choreography were on point. Dominic called her brilliant and a genius, Mary loved her timing, Nigel called her a star, and Laurieann said Smac was a "natural-born entertainer." Print another ticket to The Academy—Smac's in!

Amanda Butler, 29, Dallas, TX, Hip Hop


Amanda is a mom of three. So, no big deal. Plenty of time to just drop what she's doing and go to dance rehearsal for a while, right? LOLZ. But, Amanda explains, she found a dance group of fellow moms, and in the show's first-ever group audition, they came to break it down. (Technically the audition is just for Amanda, but who doesn't love an entourage?) "Once you become a mother, it doesn't mean that everything else has to stop," Amanda told the judges before Nigel's "cue music" dropped the familiar beat of RuPaul's "Call Me Mother." Amanda most definitely proved that you can be a mom of three and still rock pleather pants and a crop top and do some serious vogueing. And then Nigel made Dominic go onstage and dance with the crew, which, if nothing else, was a great reminder that this guy is so talented, and it would be a treat to get to see him perform at some point in Season 16. (Make it happen, Lythgoe.) Laurieann called Amanda inspiring and Dominic loved the performance, but ultimately, it's a no for Amanda. (Cute baby, though!)

Gino Cosculluela, 18, Miami, FL, Contemporary


Gino, Gino, Gino, why is that name familiar? OH RIGHT, because he's that Gino, the one with whom Maddie Ziegler shared her first kiss on "Dance Moms" a million years ago! (And yes, they played that clip, complete with Maddie running out of the studio in horror, and saying she wished Gino were Zac Efron instead of "ew" Gino.) Maddie might be kicking herself now, though, because Gino is a bona fide stud! First, it's worth noting that his brother and sister are both professional dancers, so there's no pressure at ALL on him for this audition to go well. But the pressure doesn't seem to be a problem, because once the music starts, Gino is all beautiful business. Was that a double tour en l'air? A triple? A quad?! It seemed like he was in flight for a while. The performance had that elusive mix of impressive, high-flying acrobatic tricks, and quiet, effortless artistry. Nigel predicted that Gino will land a spot in the Top 10. Laurieann seconded that. Dominic was blown away, Mary said the performance had "everything," and all four judges gave Gino a big ol' YES to The Academy. Will Maddie Z. be there waiting for him? Only time will tell.

And there we have it! Season 16, Week 1, in the books. See you right back here next week for more drama, more D-Trix, and maybe a few fierce "boomkacks."


"Moulin Rouge! The Musical" Wants to Send You to Paris—and NYC

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Well, this is just...SPECTACULAR SPECTACULAR. As if the upcoming Broadway run of Moulin Rouge! The Musical wasn't already "so exciting," the show has announced that one fan (plus their dance bestie) will get to go on an all-expenses-paid trip not only to Paris (the setting of Moulin Rouge!) but also to NYC (to catch opening night of the musicalization). The only catch is that by entering the contest, you automatically sign up for email updates from the show—which, let's be honest, you probably want anyway if you've already read this far. Safe to say that this is (as Harold Zidler would say) "magnificent, opulent, tremendous, stupendous, gargantuan, bedazzlement!"


courtesy Boneau/Bryan-Brown

The winner will be announced on June 28, which just so happens to be the first day of Broadway previews. So what are you waiting for? The greatest thing you'll ever learn is just...how great it would be to win this sweepstakes. (Yeahhhhh didn't think that one through very well, but also couldn't resist.🤷🏼♀️)

Danny Burstein as Harold Zidler, with members of the "Moulin Rouge! The Musical" ensemble (Matthew Murphy, courtesy Boneau/Bryan-Brown)

Britney Spears Dancing to Billie Eilish’s “Bad Guy” Is SUCH A MOOD

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Billie Eilish's "Bad Guy" is an absolute bop and, accordingly, has inspired all kinds of dance videos. But none of them makes our heart flutter quite like the one Britney Jean Spears just posted to Instagram.

Why? I mean IT'S BRITNEY, for starters, in all her hair-whipping, dance-diva glory. But the song also inspired the Queen of Pop to throw around a faux snake—a callback to her iconic 2001 MTV Video Music Awards performance, which featured a pas de deux with a real python.


As Eilish herself commented: "omg."


Quiz: What's Your Broadway Dance IQ?

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Prepare for the 73rd annual Tony Awards (Sunday June 9 at 8 pm Eastern, on CBS!) by testing your knowledge of the Great White Way's razzle-dazzle dance history.


A version of this story appeared in the May/June 2019 issue of Dance Spirit with the title "What's Your Broadway IQ?"

YoungArts Applications Are Open Now. Here's Why You Should Apply

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If you're looking for something to add to your summer to-do list alongside "wash smelly ballet bag," or "burn heinous recital costume," consider adding "apply to prestigious national arts competition" as a line item. Now through October 11, the National YoungArts Foundation is accepting applications for its annual YoungArts competition.



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Each year, the foundation seeks out talented teenagers between 15–18 in order to honor their creative capabilities in categories like writing, theater, film and, most excitingly, dance. And in case you high school bunheads are worried that hip-hop or modern dance might be the focus of the dance category, note that former YoungArts finalists include Royal Ballet principal Sarah Lamb, American Ballet Theatre principal Sarah Lane, Royal New Zealand Ballet principal Katharine Precourt and countless other ballet stars around the world.


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Besides joining the ranks of notable YoungArts alumni, winners have the chance to attend regional workshops in New York, Miami and Los Angeles. Selected finalists are even given the opportunity to attend National YoungArts Week at the foundation's campus in Miami, an all-expenses-paid week of workshops and master classes with artistic legends, which in the past have included ballet greats like Mikhail Baryshnikov and Wendy Whelan.

Throughout the week, finalists perform for the public, and have the chance to be considered for further recognition and monetary awards of up to $10,000. As an added bonus, a few outstanding performers at YoungArts Week are nominated each year to become a U.S. Presidential Scholar in the Arts (one of the most major honors a high school senior can be given, complete with award presentations at the John F. Kennedy Center for the Performing Arts in Washington D.C.)

If you've entered ballet competitions before, the application should be relatively simple. The video requirements only ask for a few minutes of technical work, one classical solo and one contemporary solo—and, best of all, you can apply easily online.


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As long as you're between ages 15-18, or grades 10-12, and a U.S. citizen (or permanent resident), this competition is for you. Applications opened today, and you have the whole summer ahead of you. Why not check one item off that to-do list? Learn how to apply to the 2020 YoungArts competition here.

Just for Kix Has All the Nature-Inspired Looks You Need for Summer

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Summer is almost officially here! And even if you're spending the summer months onstage and in the studio instead of outdoors (#dancerprobs), you can still bring those summer vibes inside with you. Our recommendation? These versatile, nature-inspired pieces from Just for Kix:


Just for Kix Enchanted Crop Top


Just for Kix Enchanted Crop Top Courtesy Just for Kix

Crop top season is upon us, so it's only appropriate to celebrate by sporting everyone's favorite summertime garment. Let this Enchanted Crop Top from Just for Kix bring some fairytale magic to your dancing.

Just for Kix Enchanted Lace Skirt


Just for Kix Enchanted Lace Skirt Courtesy Just for Kix

And what is a crop top without an adorable, flouncy bottom? Pair Just For Kix's Enchanted Lace Skirt with the matching top for the full enchanted effect.

Just for Kix Long Sleeve Mesh Tree Leotard


Just for Kix Long Sleeve Mesh Tree Leotard Courtesy Just for Kix

Let this Just for Kix Long Sleeve Mesh Tree Leotard inspire you to dance tall and strong like the trees it features.

Just for Kix Into the Amazon Long Sleeve Leotard


Just for Kix Into the Amazon Long Sleeve Leotard Courtesy Just for Kix

Or if the tropics are more your vibe, try Just for Kix's Into the Amazon Long Sleeve Leotard, with a flattering design that will accentuate and extend your lines.

Just for Kix Tree Lace Dress


Just for Kix Tree Lace Dress Courtesy Just for Kix

And if you can't get enough of ~the wilderness~, complete your nature-filled dance wardrobe with this flowing Tree Lace Dress from Just for Kix.

Re-Mark Your Calendars: Nigel Lythgoe Explains Why National Dance Day Is Moving to September

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Back in 2010, "So You Think You Can Dance" producer Nigel Lythgoe established National Dance Day, an annual celebration of all things dance and a fundraiser for the dance education nonprofit then known as the Dizzy Feet Foundation. Since then, NDD has become a phenomenon. Each year, dancers and dance fans have learned an official NDD routine, showed up in droves for high-profile NDD events at the Kennedy Center and Segerstrom Center for the Arts, and hosted countless NDD parties of their own—always on the last Saturday in July.

But there are big changes afoot (see what we did there?) this year. The 2019 celebration will jump forward a few months on the calendar, to Saturday, September 21st. And Dizzy Feet has undergone an evolution of its own, with a new focus on the health benefits of dance, a new collaboration with the American Heart Association, and a new name: American Dance Movement.

We caught up with Lythgoe to talk about the reasons for all the ch-ch-ch-ch-changes.


First off: What prompted the reimagining of the Dizzy Feet Foundation?

Dizzy Feet was giving to a lot of schools, and I'd sometimes visit them to follow up on our donation. There was a moment when I visited a class of autistic students, and I saw the transformation that happened in these kids after the music went on and they started to dance. It really hit me, emotionally, that dance could have a huge effect on people who found communication and exercise difficult. Dizzy Feet initially focused on bringing dance to underserved communities, and I didn't want to stop doing that, but I also wanted to start looking into dance therapy and exercise programs. I talked to the board about it, and many of its members were thinking similar things. We decided that the name "Dizzy Feet" was a little too frivolous for the area we were moving into. So, with help from a public relations company, we agreed on American Dance Movement. We liked "movement" because we meant it in both senses of the word: movement in the body, and forward movement.

And how did the American Heart Association collaboration come about?

They actually approached us! The AHA had seen the NDD videos we'd put out each year, and they asked us to make a dance video for their school health initiative, the Kid's Heart Challenge. We ended up making three videos for them—one for elementary school kids, one for intermediary school kids, and one for high schools. The choreographers and the dancers were only too willing to give back. And I'm basically the poster child for this initiative—I've had two heart attacks.

Why the new date for NDD?

Well, a big part of it is that AHA will be sending out this year's official NDD routine—choreographed by Matt Steffanina, which is very exciting—to 19 million schoolchildren, and so we figured it'd be a good idea to have NDD fall during the school year. But there was another reason, I'll be honest: In July, the heat is ridiculous! I always end up looking a sweaty mess. Originally, we opted for the July date to coincide with "SYTYCD," so we could push NDD on the show. But at the end of the day, getting more people to dance, and in a cooler climate, is what's important.

Matt Steffanina (center) and dancers celebrating National Dance Day (courtesy American Dance Movement)


Will there still be a "SYTYCD" tie-in to NDD?

Yes, we'll still find a way to do that, because "SYT" will be on-air all the way through September. And I believe we're planning to put out the video in early July, so we'll push that on the show.

How can dancers get involved in NDD and American Dance Movement?

As ever, we need donations, and we need them badly, because we give absolutely everything we can to these organizations. Even a dollar helps. And we want NDD to benefit other charities all over the country, too, so please, if you're reading this: Organize your own dance parties! There are "days" for everything—hamburger day, you know, pancake day—and they're all fun, but dance is something so much bigger. It's a great art form, it's great exercise. Celebrate it!

Just for Kix Has All the Nature-Inspired Looks You Need for Summer

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Summer is almost officially here! And even if you're spending the summer months onstage and in the studio instead of outdoors (#dancerprobs), you can still bring those summer vibes inside with you. Our recommendation? These versatile, nature-inspired pieces from Just for Kix:


Just for Kix Enchanted Crop Top


Just for Kix Enchanted Crop Top Courtesy Just for Kix

Crop top season is upon us, so it's only appropriate to celebrate by sporting everyone's favorite summertime garment. Let this Enchanted Crop Top from Just for Kix bring some fairytale magic to your dancing.

Just for Kix Enchanted Lace Skirt


Just for Kix Enchanted Lace Skirt Courtesy Just for Kix

And what is a crop top without an adorable, flouncy bottom? Pair Just For Kix's Enchanted Lace Skirt with the matching top for the full enchanted effect.

Just for Kix Long Sleeve Mesh Tree Leotard


Just for Kix Long Sleeve Mesh Tree Leotard Courtesy Just for Kix

Let this Just for Kix Long Sleeve Mesh Tree Leotard inspire you to dance tall and strong like the trees it features.

Just for Kix Into the Amazon Long Sleeve Leotard


Just for Kix Into the Amazon Long Sleeve Leotard Courtesy Just for Kix

Or if the tropics are more your vibe, try Just for Kix's Into the Amazon Long Sleeve Leotard, with a flattering design that will accentuate and extend your lines.

Just for Kix Tree Lace Dress


Just for Kix Tree Lace Dress Courtesy Just for Kix

And if you can't get enough of ~the wilderness~, complete your nature-filled dance wardrobe with this flowing Tree Lace Dress from Just for Kix.


10 GIFs That Totally Summarize Recital Season

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Recital season is officially upon us—and yep, we're all stressed! Between academic finals and final rehearsals, we basically have no free time. But we know the craziness will all be worth it once we get up on that stage. Here are 10 GIFs that totally sum up what it's like to survive recital season.


When You Find Out You're Going to Be in Eight Numbers


When Your Chemistry Teacher Announces a Huge Final Project—Due on Opening Night


When You're Running on Zero Sleep But Have to Go Straight from School to Rehearsal


When You Get to Rehearsal and Realize You Grabbed Your School Bag, Not Your Dance Bag


When You and Your Friend FINALLY Get That Turn Sequence Perfectly in Sync in Rehearsal


When It's Showtime and You Realize All Your Friends and Family Are in the Audience


When You Hear That First Bar of the Music


When You Nail Your 30-Second Quick Change


When You Forget Part of the Choreo But Then Recover Like a Total Pro


When the Show's Over and You Feel Like the Superstar You Are


5 Fun Dancy Tony Awards Facts

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The annual Tony Awards are Broadway's biggest night, and among those honored are the amazing choreographers and dancers who push the art form forward with their work each season. In recognition of the 73rd Tony ceremony (airing tonight at 8 pm EST on CBS), we rounded up a bunch of fun, dancy Tony facts.


The choreographer with the most Tony Award wins is…Bob Fosse.

courtesy Dance Magazine archives

It's really no surprise that dance legend Bob Fosse has won the most Tony Awards for choreography—eight in all! The shows that earned him those Tonys are The Pajama Game, Damn Yankees, Redhead, Little Me, Sweet Charity, Pippin, Dancin', and Big Deal.

Also, Bob Fosse is the only person to ever win a Tony, an Emmy, and an Oscar in the same year.

Leave it to Fosse to break even more records! In 1973, he won two Tony Awards for Pippin: one for choreography and one for direction. That same year, he won an Emmy for Liza with a "Z" and an Oscar for Cabaret.

The dancing boys of Billy Elliot set some records, too.

(From left) David Alvarez, Kiril Kulish, and Trent Kowalik (Carol Rosegg, courtesy "Billy Elliot: The Musical")

The year 2009 was a great one for Broadway, mostly because it brought us the stage adaptation of Billy Elliot, and the show's legendary choreography by Peter Darling. Three boys—David Alvarez, Trent Kowalik, and Kiril Kulish—alternated in the title role of the show, and became the only people to jointly win a Tony for sharing one role.

The musical with the most Tony nominations is…Hamilton.

(From left) Daveed Diggs, Okieriete Onaodowan, Anthony Ramos, and Lin-Manuel Miranda in "Hamilton" (Joan Marcus, courtesy "Hamilton")

Hamilton has a whopping 16 Tony noms. Sharing second place are The Producers and Billy Elliot: The Musical, with 15 nominations each. The Producers also holds the record for the most Tony wins, with 12 total, including Best Musical.

The leading lady with the most Tony noms is…Chita Rivera.

Photo by Laura Marie Duncan, courtesy Victory Dance Project

Rivera holds the record with 10. And Angela Lansbury and Gwen Verdon are tied for the most best-actress wins in a musical, with four each.


A version of this story appeared in the May/June 2019 issue of Dance Spirit with the title "It's Tony Time!"

This 6-Year-Old Dancing to Lizzo’s “Juice” Is Giving Us LIFE

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Well, it's official: We want to be a 6-year-old when we grow up.

Specifically, we'd like to be Ivanah Campbell, a 6-year-old BOSS from Port Elizabeth, South Africa, whose dance video to Lizzo's "Juice" has earned raves from Will and Jada Pinkett Smith, Chris Evans, and Lizzo herself.



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FWIW, Ivanah was pretty famous even before her "Juice" video went viral, with more than 100,000 followers on Instagram. (Once again: SHE IS SIX.) Why? Because no matter what bop is playing, she's slaying.

"I love music, it does something inside my heart," she told The Herald. "When a song plays, my body gets this itching feeling, I just want to dance. When I start dancing I feel so happy." Same, girl. SAME.




"Hadestown" Sweeps the Tonys, Plus Our Fave Moments from the Awards Show

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Last night's Tony Awards (aka James Corden's three-hour attempt to persuade TV-streaming binge-watchers to put down the remote and see some live theater, for gosh sake) had a bit of everything: wisdom from celebrated actors, cheeky laughs, political quips, historical victories and, our favorite, incredible performances. Unsurprisingly, Tony frontrunner Hadestown took home eight awards, including Best Musical, Best Direction for a Musical and Best Featured Actor in a Musical.

Relive the night with some of our favorite moments from Broadway's big night, in order of appearance.


Tina Fey Asked Why We Still Have Gendered Awards


Before Fey announced the winner of Best Actress in a Play, she asked an important question: Why is the category still separated by gender? And, she quipped, if there have to be two categories for best actor, why aren't they humans and puppets?

Ain't Too Proud's Performance...Followed by a Spoiler for Best Choreography


The cast of Ain't Too Proud: The Life and Times of The Temptations was the first show to share a live snippet, and they were on fire. Call it the night of the drop split—we see you, Ephraim Sykes. (And we see you, James Corden—the host made his own attempt in the broadcast's opening number.)


But did you catch the bling that Sergio Trujillo was holding when the camera panned to him after this performance? His Tony for Best Choreography. Though this award is not presented during the broadcasted portion of the show—a decision we lament annually—it wasn't actually mentioned until 10:21 pm, more than two hours into the broadcast. Catch Trujillo's full acceptance speech below, including his shoutout to immigrants: "I arrived in New York City over 30 years ago as an illegal immigrant," he said. "And I stand here as proof for all those Dreamers...that the American dream is still alive."


André De Shields' Sage Advice


At 73, De Shields won his first Tony, namely Best Featured Actor in a Musical for Hadestown's Hermes. Just when we didn't think we could adore him any more, he revealed his trade secrets. Here are De Shields' "Three Cardinal Rules of My Ability and Longevity":

1. Surround yourself with people whose eyes light up when they see you coming.

2. Slowly is the fastest way to get to where you want to be.

3. The top of one mountain is the bottom of the next, so keep climbing.


Hadestown's Rachel Chavkin Wished She Wasn't Alone


In her acceptance of Best Direction for a Musical, Chavkin said she wished she wasn't the only woman directing a musical on Broadway this season. "There are so many women who are ready to go. There are so many artists of color who are ready to go," she said. "And we need to see that racial diversity and gender diversity reflected in our critical establishment, too. This is not a pipeline issue. It is a failure of imagination by a field whose job is to imagine the way the world could be."

Ali Stroker Made History


Earlier in the evening, Stroker sang an infectious "I Cain't Say No" from Oklahoma!, easily outshining the rest of the cast. She made history as the first wheelchair user to win a Tony, snagging Best Featured Actress in a Musical. She dedicated her award to "every kid who is watching tonight who has a disability, who has a limitation or a challenge who has been waiting to see themselves represented in this arena."


Choir Boy's Performance Left Us Wanting More


We were thrilled to see "Rockin' Jerusalem" from Choir Boy, which featured stepping that was at once powerful, nuanced and soulful. Choreographer Camille A. Brown has done it again.

Side note: Did you catch Brown sitting behind Andrew Rannells in the audience looking absolutely incredible?


"James in the Bathroom"


In a nod to Be More Chill's "Michael in the Bathroom," Corden's hilarious rendition remarked on his insecurities as a host. Also hiding in the Radio City Music Hall restroom were last year's hosts, Josh Groban and Sara Bareilles, who quickly joined in. And in an adjacent stall? Former host extraordinaire Neil Patrick Harris, who quickly clarified that he wasn't feeling unsure of himself. He just needed to use the restroom.

As much as we loved this, we can't help but ask: Where was George Salazar's cameo?


The Hadestown Scene We Were Waiting For


Though we would have preferred a broader montage including Patrick Page in the chilling "Why We Build the Wall," and, well, basically anything with more stage time for Amber Gray and fellow nominee Eva Noblezada, we can't complain. Five stars for David Neumann's swinging lamp choreography and the Tony-winning scenic and lighting designs.


Kiss Me, Kate Brought the Heat


Warren Carlyle's dance-battle of the sexes, "Too Darn Hot", was smooth as ever and full of swagger, spins and deft footwork. The fact that Corbin Bleu was noticeably enjoying himself only added to the magical ensemble of dancers.


Oklahoma! Won Best Revival of a Musical


Producer Eva Price shared an important message based on Oklahoma!'s themes: "When we try to define who we are as a community by creating an outsider, it can end in tragedy."

The Cher Show's Surprise Win


Stephanie J. Block, who plays Star, the oldest of three Chers in The Cher Show, won Best Actress in a Musical. Though we didn't expect the jukebox musical to snag this primo category—it beat out Eva Noblezada (Hadestown), Kelli O'Hara (Kiss Me, Kate), Caitlin Kinnunen (The Prom) and Beth Leavel (also in The Prom)—Block, a seasoned actress, proved her mettle in a show that wasn't necessarily showstopping.


Hadestown Is "Livin' It Up on Top"


To cap off the night, Hadestown was announced as winner of Best Musical, showing that the little-concept-album-that-could did indeed turn into an incredible musical.

"SYTYCD" Season 16 Recap: A "Bad Girl," a Kidnapping, and a Baby B-Boy

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It's the second week of auditions in L.A., and everyone's feeling feisty! (Well, Laurieann's feeling feisty, that's for sure.) As the search for America's Favorite Dancer continues, here's what was awesome about Week 2.


Sumi Oshima, 26, Japan, Hip Hop


Sumi's life hasn't been easy. Her parents divorced when she was super young, and then she got in just enough trouble to not be able to attend regular high school. But she's able to leave that all behind when she hears two magic words: "Cue music." This girl can pop. This girl can lock. And this girl can do something almost octopus-like, dropping to her knees, doing a 180, and rising back to her feet with beautiful, super-smooth ease. Her performance was good enough that Laurieann rushed the stage afterward to spank her booty and call her a "bad girl," so...there's that. But! Laurieann also reminded Sumi that she'll need to channel her hip-hop edge into every other style on the show. Dominic loved her control and said he couldn't believe his eyes. Mary appreciated the shock of it all, and Nigel called Sumi a thief for stealing the judges' hearts. She's headed to The Academy—"of course," as Dominic said.

Caroline De La Rocha, 18, Knoxville, TN, Contemporary


Caroline's mom and grandparents have always been supportive of her dancing. Dad? Less so. Mary Murphy can empathize: She said her own dad didn't approve, either, and didn't talk for her for two years, but eventually came around. And Caroline has a pretty compelling case for dear old Dad: She's SO GOOD. But between the ridiculously high jumps and the impossibly deep grand pliés in second, there was fight, as Mary said—at times, almost too much fight. But it was powerful. Nigel told Caroline she danced with angst, but that it needed more control. Laurieann disagreed with Nigel and Mary: "You're here to fight," she said approvingly. Dominic said it was shaky, but filled with potential. Mary was a yes, Nigel was a no, Laurieann was a yes, and Dominic was a yes. With three approvals, Caroline's going to The Academy.

Samuel Sweetser, 29, San Jose, CA, B-Boy


Samuel has a really cute son named Koa. And said son gets called onstage to dance. And it's perfect. It's been 16 seasons, and "So You Think You Can Dance" still knows how to tug on our heartstrings. As for Samuel: He started dancing as a joke, but now "B-Boy Exodus" takes it pretty seriously. He came in hot, immediately dropping into all the classic b-boy moves and grooves you'd expect. Nigel said it was clear where Koa gets his swag from, and noted Samuel's extraordinary strength—but also fretted about how he'd do at, say, ballroom. (On that note: Can we bring back the choreography rounds??) Laurieann said Samual said so much while he was so still. Dominic praised his authenticity. And Mary, a self-proclaimed "b-girl" (uh), said Samuel was an amazing entertainer. Ultimately, the vote was unanimous: Samuel's headed to The Academy!

Gianna Newborg, 19, Churchville, PA, Contemporary


Praise, Gianna, for reminding us all that contemporary doesn't have to look a certain way. It can be pretty without being pretty; it can have every exceptional element—power, technique, control, ferocity—without being wrapped in something conventionally sweet or sparkly. Gianna delivered a routine about being kidnapped, which was "dark as it can get," as she told Cat Deeley pre-performance. Mary, who gave it a standing ovation, called Gianna's trip down the dark side "superb," and said she nailed it. Nigel said Gianna connected with him, and that she spoke loudly with her dancing. Laurieann said Gianna raised the bar. And Dominic thanked Gianna for taking a chance on being different. Is she Academy-bound? Duh.

Nazz Sldryan, 21, & Stefen Yeritsyan, 23, Ballroom


Nazz and Stefen came to cha-cha—for the first time together. They've been working side-by-side for two months, but their audition was a last-minute decision. And while they've known each other forever, no, they insist, they are not a couple. (Fun fact: Stefen is a star on an Armenian soap opera! Anyone out there seen it?!) As far as last-minute decisions go, this was a solid one. Was it the best cha-cha "SYT" has ever seen? No. But it was fun, frisky, and worthy of a Mary Murphy standing O. Dominic was thoroughly entertained from beginning to end. Laurieann appreciated their friendship, Nigel wanted more back-lift, and Mary said it was extremely hot. Both dancers were invited on board the Hot Tamale Train, and into The Academy.

"Korra" Obidi Dean, 26, Nigeria, Belly Dance/African


Korra's here to belly dance—but not by herself: She's pregnant! And girl's got moves. (Surely this baby will come out dancing.) Those belly rolls with a bonus belly? That jump-split at the end? "She just did a drop split and saved her baby's life at the same time," Dominic said as he rose from his seat. Laurieann praised Korra, Dominic loved seeing the pre-birth baby do choreography, Mary called Korra "one fierce woman," and Nigel enjoyed it and was shocked by it. She's not going to The Academy, but she's oh-so-inspiring. (Note to pregnant women everywhere: You don't have to stop doing what you love!)

Kaeli Ware, 18, & Brandon Talbott, 19, Contemporary Ballet


If you've been to a competition or convention in the past decade, you're already familiar with Kaeli's looong limbs (she's a casual 5'11") and exceptional pointe work, and with Brandon's insane pirouettes in à la seconde. Their awe-inspiring performance featured so many legs everywhere, and it. was. FABULOUS. What a way to end the night! All four judges loved every moment. Both dancers are Academy-bound—and both are probably sticking around for a while.

That's it for Week 2. Next week, same time, same place, more auditions!

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